Acclaimed authors such as Rachel Yoder and Nam Le reflect on their early works in the Writing University series.
At the end of a book, have you ever wondered: Did this author always write well?
Thats the question at the heart of Sad Me of the Past, a podcast hosted by Daniel Khalastchi (05MFA), executive director of the new University of Iowa Office of Writing and Communication, Lauren Haldeman (01BA, 06MFA), Writing University webmaster, and Stephen Lovely (92MFA), director of the Iowa Young Writers Studio.
Each episode, UI-affiliated authors dust off their earliest writingschildhood stories, teenage poems, long-forgotten draftsand read them aloud. The result is a poignant and often comical look at rough, unpolished work from some of todays most successful writers.
Rachel Yoder (11MFA), author of Nightbitch, reads from her fifth-grade story about becoming an astronaut: I was trying to imagine my way into something that felt utterly impossible, she says, which felt similar to writing the last paragraph of her debut novel at the First Avenue Java House. It was like, Oh, you write the book to become the person whos capable of writing the book. When it was done, she says, I became the person who could write the book.
Nam Le (06MFA), author of The Boat, moved from Australia to attend the Workshop: I cannot explain to you how enchanting it was to arrive here, he says. Everyones talking about writing and reading. It was just glorious.
Journalist Joe Fassler (11MFA) recalls the magic of Iowa Citys writing community: You feel the energy in the coffee shopsand you just know theres a higher per capita writing contingent here than even places like New York City. He adds that his time at Iowa took books and storytelling and connection through words and presented a pathlike this is a thing. You can build a life around this.
Poet Srikanth Reddy (00MFA) shares a poem from his first year in the Workshop: My poetry got so bad when I got in the Workshop, because everyone elses poetry was inspiring mine
I lost any sense of what my style was, he says. But through practiceand the support of the communityReddy found his voice again. Its still really a place where people can be creative together, and thats really rare, he says. Ive visited different writing and artistic communities, but I always keep coming back to this place.
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